Monologues
And in Anna Bonitatibus the title role is incarnated to perfection: manipulative, imperious, yet at the same time racked by doubt, this charismatic Italian mezzo dominates the production with massive vocal power.
✭✭✭✭✭ The Indipendent, Michael Church, 06.2018
Dominating everything was Anna Bonitatibus as the puppet-master Agrippina, who handled Handel’s big set-piece virtuoso arias with magnificent aplomb.
✭✭✭✭✭ The Telegraph, 06.2018
Anna Bonitatibus leads the way with an impressively confident realisation of Agrippina as she feigns sympathy, concern, and amorousness with various others in order to get her way. She negotiates effortlessly several changes of persona, costumes and musical characterisation to depict irresistibly this wily figure of Roman history.
✭✭✭✭✭ Classical Source, Curtis Rogers, 06.2018
Super performances notably by Italian Anna Bonitatibus as the deceptive and duplicitous Agrippina.
markronan.com, Mark Ronan, 06.2018