Au pays du grand Yaka – La Clemenza di Tito, Liège

…le formidable Sesto d’Anna Bonitatibus ! Tout y est : un timbre superbe, une virtuosité à toute épreuve, une sensibilité à fleur de peau. Le côté « mouton » limite peut-être un peu son jeu, mais quels fortes, et quels pianos !

Forumopera, Laurent Bury   17.05.2019   

Enrico di Borgogna, Festival Donizetti — OPERAWIRE

Despite her initial reluctance to play the male role of Enrico, the mezzo-soprano, Anna Bonitatibus, proved to be more than up to the task, putting in an accomplished performance. Her voice has a refined quality, which not only lies easily on the ear, but one Bonitatibus used intelligently to craft a strong vocal portrait of the hero. Her well-grounded mezzo, with its rich dark timbre, shows a wonderful degree of consistency and agility. Throughout the evening she impressed, whether shaping finely articulated recitatives, singing delicately embellished lines with a captivating legato or delivering a sparkling coloratura display, she oozed quality. It was a first-class performance.

OPERAWIRE, Alan Neilson, 04.12.2018   

Enrico di Borgogna, Festival Donizetti — Online Merker

In der Hosenrolle als Enrico brillierte die schlanke Mezzosopranistin Anna Bonitatibus. Sie gab der Titelfigur die nötige kämpferische Ausstrahlung und überzeugte in jeder Szene.

Online Merker, Udo Pacolt, 02.12.2018